Concert, music, Opera / Operett

Aida, the greatest hit of the Met's HD broadcast series, will now return in Michael Mayer's dazzling brand new staging, in which we will also proudly get to watch our own Judit Kutasi in the role of Amneris.

The final Met broadcast of the 2024/25 season revisits Bartlett Sher's sparklingly alive Rossini production, this time conducted by Giacomo Sagripanti, who trained in the composer's native Pesaro.

At the centre of David McVicar's delightfully spectacular staging of Tosca this time we have the Norwegian soprano Lise Davidsen, who in just a few short years has become one of New York's biggest opera stars, now irresistibly conquering us in the Italian repertoire as well.

A 16-year-old oriental princess with the voice of an Isolde: this was the perfectionist expectation Richard Strauss set for anyone portraying Salome, and now the South African soprano Elsa van der Heever, known for her portrayal of Elisabetta in the 2016 broadcast of Maria Stuarda, is about to prove she can pull it off.

In addition to singing the title role in Tosca, Lise Davidsen, one of the biggest stars of the Met's 2024/25 season, will also appear in the series of worldwide broadcasts as the husband-liberator Leonore in Fidelio.

This performance featuring a polished ensemble of Mozartian singers marks the Met debut of the talented young but already globally recognised German maestra Joana Mallwitz on the conductor's podium.

The subject matter is far from the only thing that promises to make this performance of Offenbach's last work for the stage so fantastic, as we will get to hear some wonderful singers when Bartlett Sher's captivating 2009 production of Tales of Hoffmann returns to the Met's series of HD transmissions.

This performance featuring a polished ensemble of Mozartian singers marks the Met debut of the talented young but already globally recognised German maestra Joana Mallwitz on the conductor's podium.

At the centre of David McVicar's delightfully spectacular staging of Tosca this time we have the Norwegian soprano Lise Davidsen, who in just a few short years has become one of New York's biggest opera stars, now irresistibly conquering us in the Italian repertoire as well.

The subject matter is far from the only thing that promises to make this performance of Offenbach's last work for the stage so fantastic, as we will get to hear some wonderful singers when Bartlett Sher's captivating 2009 production of Tales of Hoffmann returns to the Met's series of HD transmissions.

In addition to singing the title role in Tosca, Lise Davidsen, one of the biggest stars of the Met's 2024/25 season, will also appear in the series of worldwide broadcasts as the husband-liberator Leonore in Fidelio.

The conflict between the possibilities offered by modern military technology and the eternal fundamental ethical questions, drone strikes and the accompanying emotional and spiritual burdens: these are the themes at the centre of George Brant's 2012 drama Grounded.

Aida, the greatest hit of the Met's HD broadcast series, will now return in Michael Mayer's dazzling brand new staging, in which we will also proudly get to watch our own Judit Kutasi in the role of Amneris.

It is always a thrill to reflect on the fact that, even though the vast majority of Richard Wagner's oeuvre consists of his operas and music dramas, and the singers who perform in them on the world's top stages are exceptional artists, the most popular parts of these works, which can also be played independently, are the orchestral sequences.

There can hardly be imagined in our time a work that conveys a more important message to humanity, as it debates the possible fate of the earth, about threats to the natural environment than Götterdämmerung does. Perhaps there is still time for us to return the ring to the Rhinemaidens.

A 16-year-old oriental princess with the voice of an Isolde: this was the perfectionist expectation Richard Strauss set for anyone portraying Salome, and now the South African soprano Elsa van der Heever, known for her portrayal of Elisabetta in the 2016 broadcast of Maria Stuarda, is about to prove she can pull it off.

The final Met broadcast of the 2024/25 season revisits Bartlett Sher's sparklingly alive Rossini production, this time conducted by Giacomo Sagripanti, who trained in the composer's native Pesaro.

Stars' recitals with piano
LISETTE OROPESA
Song and aria recital in two parts, with Hungarian, English, and same-language subtitles

A nibelung gyűrűjében beteljesedő gigantikus színházi előadás a Rajna hűvös mélyén kezdődött, a folyó kincsét őrző sellők játékával, s az őket csalódottan bámuló Alberich, a nibelung hasztalan vágyakozásával. A szánalmasan csúf és a vízben esetlenül mozgó lény elkeseredésében könnyű prédájává vált a világ feletti uralom vonzásának, és a szerelmet fennhangon elátkozva elrabolta a Rajna kincsét.

A rainbow of sounds from the orchestra, enigmatic dialogues and mysterious riddles. Not to mention a treacherous dwarf and a glorious young hero. Who after slaying a dragon and tasting its blood, is able to understand the prophetic singing of a bird. And then crosses through a wall of fire to discover both the woman who is his mate and, through his love for her, fear.

Georg Friedrich Händel – Wolfgang Amadeus Mozart
DER MESSIAS (MESSIAH) – CONCERT
Oratorio in three parts, in Hungarian, with Hungarian and English subtitles

Giuseppe Verdi
FALSTAFF
Comic opera in three acts, in Italian, with Hungarian, English, and Italian subtitles

Pietro Mascagni
EASTER WITH MASCAGNI (MESSA DI GLORIA / CAVALLERIA RUSTICANA)
Concert performances with Hungarian, English, and same-language subtitles

The conflict between the possibilities offered by modern military technology and the eternal fundamental ethical questions, drone strikes and the accompanying emotional and spiritual burdens: these are the themes at the centre of George Brant's 2012 drama Grounded.

The second evening of the Ring of the Nibelung tetralogy is the most popular of the four works: Die Walküre captivates audiences with deservedly beloved opera hits like Siegmund's Spring Song from Act 1 and, from the third act, the Ride of the Valkyries, as well as Wotan's Farewell and the Magic Fire Music.

A világ legnagyobb Cigányzenekarának szólistái!
A Magyar Örökség és Hungarikum-díjas 100 Tagú Cigányzenekar nevét, s eddigi teljesítményét méltán őrzi az Aranykönyv és a Magyar Szellem Láthatatlan Múzeuma.

The Met HD Live broadcasts will feature Anthony Minghella's 2006 staging of Madama Butterfly for the fourth time. This is due to the opera's enduring popularity, the timeless charm of the production, and the constantly renewed cast, which promises the dazzling debut of Lithuanian soprano Asmik Grigorian in the lead role this time around, alongside Jonathan Tetelman's Pinkerton, who has also conquered New York this season.

The Met HD Live broadcasts will feature Anthony Minghella's 2006 staging of Madama Butterfly for the fourth time.

A Csárdáskirálynő

A NAGY ÉRDEKLŐDÉS MIATT ÚJRA MŰSORRA TŰZZÜK!
BARTÓK BÉLA: A KÉKSZAKÁLLÚ HERCEG VÁRA – FEHÉREN, FEKETÉN
Egyfelvonásos opera, koncertszerű előadás

A Keringőkirály

Már hagyományszerű a nyár eleji operagála a Miskolci Szimfonikus Zenekarral. Felcsendülnek népszerű operarészletek, különleges részletek a legismertebb művekből, valamint igazi csemegék, melyek kavalkádja garancia a fergeteges előadáshoz a három fantasztikus külföldi énekes tolmácsolásában.

José Cura: Argentin dalok és olasz áriák

Egy legendás életmű keresztmetszete sztárvendégekkel